6/11/2023 0 Comments Mastering in logic pro x 2020![]() Step 2: Subtle Compression and Distortion with ‘Compressor’ If you want to subtract some more frequencies from the Mid or Stereo image, you’ll need to use another equalizer to accomplish this. How much you cut out will depend on the genre and particular track that you’re working on. To do this, find the ‘Processing’ tab at the bottom of the plugin and select ‘Side Only.’ Using a high-pass filter, attenuate the side-image up to 130Hz. This will keep the low end focused and clear, in turn, keeping the master driving and centered. The first thing we want to do to a mix is attenuate the low frequencies on the side image. Although it only allows you to control either the mid or the side, it’s helpful nonetheless. Logic’s ‘Channel EQ’ is fortunately capable of mid-side processing. In the processing section, you can select which channel you want to affect. Step 1: Subtractive Side Image Equalization with ‘Channel EQ’ We’ll master it for you and send you a free sample for you to review. If you’re an artist or engineer and you have a mix that you need mastered, send it to us here: We’ll be using 6 different processing steps as well as measuring the signal with some of Logic’s stock meters.Īs the name of this post suggests, each of the plugins we’ll be using is Logic’s stock plugins. If you’re using Logic, and you want to try and master your music, here’s a quick guide that can help you throughout the process. Logic offers many great plugins for mixing and mastering. Fortunately, modern DAWs give you more than enough flexibility to create some great sounding masters without the need to purchase additional software. Mastering music can definitely be challenging - especially when you only have stock plugins. Step 7: Loudness and Level metering with Logic’s Meters Mastering Pop Music with Logic’s Stock Plugins in Detail Step 6: Brick-wall Limiting using True Peak Detection with ‘Limiter’ Step 5: Additive Side Image Equalization with ‘Channel EQ’ Step 4: (Optional) Subtle Harmonic Excitement (<1%) with ‘Exciter’ Step 3: Additive Stereo Equalization and Distortion with ‘Tube EQ’ ![]()
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